The feminist book they tried to ban in France 'A delightful book' Roxane Gay Women, especially feminists and lesbians, have long been accused of hating men. Our instinct is to deny it at all costs. (After all, women have been burnt at the stake for admitting to less.) But what if mistrusting men, disliking men - and yes, maybe even hating men - is, in fact, a useful response to sexism? What if such a response offers a way out of oppression, a means of resistance? What if it even offers a path to joy, solidarity and sisterhood? In this sparkling essay, as mischievous and provocative as it is urgent and serious, Pauline Harmange interrogates modern attitudes to feminism and makes a rallying cry for women to find a greater love for each other - and themselves.

In 1920s Shanghai, Zhou Enlai founded the first Chinese communist spy network, operating in the shadows against nationalists, Western powers and the Japanese. The story of Chinese spies has been a global one from the start. Unearthing previously unseen papers and interviewing countless insiders, Roger Faligot's astonishing account reveals nothing less than a century of world events shaped by Chinese spies. Working as scientists, journalists, diplomats, foreign students and businessmen, they've been everywhere, from Stalin's purges to 9/11 to Biden's withdrawal from Afghanistan. This murky world has swept up Ho Chi Minh, the Clintons and everyone in between, with the action moving from Cambodia to Cambridge, and from the Australian outback to the centres of Western power. This fascinating narrative exposes the sprawling tentacles of the world's largest intelligence service, from the very birth of communist China to Xi Jinping's absolute rule today.

A charming and heartfelt story about war, art, and the lengths a woman will go to find the truth about her family. 'As devourable as a thriller... Incredibly moving' Elle 'Pauline Baer de Perignon is a natural storyteller - refreshingly honest, curious and open' Menachem Kaiser 'A terrific book' Le Point It all started with a list of paintings. There, scribbled by a cousin she hadn't seen for years, were the names of the masters whose works once belonged to her great-grandfather, Jules Strauss: Renoir, Monet, Degas, Tiepolo and more. Pauline Baer de Perignon knew little to nothing about Strauss, or about his vanished, precious art collection. But the list drove her on a frenzied trail of research in the archives of the Louvre and the Dresden museums, through Gestapo records, and to consult with Nobel laureate Patrick Modiano. What happened in 1942? And what became of the collection after Nazis seized her great-grandparents' elegant Parisian apartment? The quest takes Pauline Baer de Perignon from the Occupation of France to the present day as she breaks the silence around the wrenching experiences her family never fully transmitted, and asks what art itself is capable of conveying over time.

WINNER OF THE FRANÇOISE SAGAN PRIZE WINNER OF THE BOOKSTAGRAM PRIZE SHORTLISTED FOR THE GONCOURT PRIZE FOR DEBUT NOVEL 'With this book, Abigail Assor announces herself as one of the most distinctive voices in North African literature. This is a vibrant, sensual, subversive novel with an unforgettable heroine' LEÏLA SLIMANI _______________ Sarah is poor, but at least she's French, which allows her to attend Casablanca's elite high school for expats and wealthy locals. It's there that she first lays eyes on Driss. He's older, quiet and not particularly good looking-apart from his eyes, which are the deep green of thyme simmering in a tagine. Most importantly, he's rumoured to be the richest guy in the city. She decides she wants those eyes. And she wants a life like his. But to get to Driss she will have to cross the gaping divide that separates them and climb to the top of the city's society, from street corner merguez and chips to a mansion overlooking the ocean. Provocative, immersive, sensual, As Rich as the King is a twisted love story and a bittersweet ode to Casablanca.

A mysterious female figure keeps on appearing under a landscape painter's brush. A woman addresses letters to an absent loved one. Directing her reader and characters with the deftness of the Master of Suspense, Lucie Paye dramatises the power of unconditional love and the role of the unconscious in artistic creation.

New York, November 3, 1954. In a few days, the immigration inspection station on Ellis Island will close its doors forever. John Mitchell, an officer of the Bureau of Immigration, is the guardian and last resident of the island. As Mitchell looks back over forty-five years as gatekeeper to America and its promise of a better life, he recalls his brief marriage to beloved wife Liz, and is haunted by memories of a transgression involving Nella, an immigrant from Sardinia. Told in a series of poignant diary entries, this is a story of responsibility, love, fidelity, and remorse.

A charming and heartfelt story about war, art, and the lengths a woman will go to find the truth about her family. 'As devourable as a thriller... Incredibly moving' Elle 'Pauline Baer de Perignon is a natural storyteller - refreshingly honest, curious and open' Menachem Kaiser 'A terrific book' Le Point It all started with a list of paintings. There, scribbled by a cousin she hadn't seen for years, were the names of the masters whose works once belonged to her great-grandfather, Jules Strauss: Renoir, Monet, Degas, Tiepolo and more. Pauline Baer de Perignon knew little to nothing about Strauss, or about his vanished, precious art collection. But the list drove her on a frenzied trail of research in the archives of the Louvre and the Dresden museums, through Gestapo records, and to consult with Nobel laureate Patrick Modiano. What happened in 1942? And what became of the collection after Nazis seized her great-grandparents' elegant Parisian apartment? The quest takes Pauline Baer de Perignon from the Occupation of France to the present day as she breaks the silence around the wrenching experiences her family never fully transmitted, and asks what art itself is capable of conveying over time.

Between the French defeat in 1940 and liberation in 1944, the Nazis killed almost 80,000 of France's Jews, both French and foreign. Since that time, this tragedy has been well-documented. But there are other stories hidden within it--ones neglected by historians. In fact, 75% of France's Jews escaped the extermination, while 45% of the Jews of Belgium perished, and in the Netherlands only 20% survived. The Nazis were determined to destroy the Jews across Europe, and the Vichy regime collaborated in their deportation from France. So what is the meaning of this French exception? Jacques Semelin sheds light on this 'French enigma', painting a radically unfamiliar view of occupied France. His is a rich, even-handed portrait of a complex and changing society, one where helping and informing on one's neighbours went hand in hand; and where small gestures of solidarity sat comfortably with anti-Semitism. Without shying away from the horror of the Holocaust's crimes, this seminal work adds a fresh perspective to our history of the Second World War.

In 1920s Shanghai, Zhou Enlai founded the first Chinese communist spy network, operating in the shadows against nationalists, Western powers and the Japanese. The story of Chinese spies has been a global one from the start. Unearthing previously unseen papers and interviewing countless insiders, Roger Faligot's astonishing account reveals nothing less than a century of world events shaped by Chinese spies. Working as scientists, journalists, diplomats, foreign students and businessmen, they've been everywhere, from Stalin's purges to 9/11. This murky world has swept up Ho Chi Minh, the Clintons and everyone in between, with the action moving from Cambodia to Cambridge, and from the Australian outback to the centres of Western power. This fascinating narrative exposes the sprawling tentacles of the world's largest intelligence service, from the very birth of communist China to Xi Jinping's absolute rule today.

"A powerful expose of Parisian haute couture" - Book of the Week, Times Higher Education Fashion is one of the most powerful industries in the world, accounting for 6% of global consumption and growing steadily. Since the 1980s and the birth of the neoliberal economy, it has emerged as the glittering face of capitalism, bringing together prestige, power and beauty and occupying a central place in media and consumer fantasies. Yet the fashion industry, which claims to offer highly desirable job opportunities, relies significantly on job instability, not just in outsourced garment production but at the very heart of its creative production of luxury. Based on an in-depth investigation involving stylists, models, designers, hairdressers, make-up artists, photographers and interns, anthropologist Giulia Mensitieri goes behind fashion's glamorous facade to explore the lived realities of working in the industry. This challenging book lays bare the working conditions of 'the most beautiful job in the world,' showing that exploitation isn't confined to sweatshops abroad or sexual harassment of models, but exists at the very heart of the powerful symbolic and economic centre of fashion.

On 8 March 2008 the Italian performance artist Pippa Bacca set out to hitchhike from Milan to Jerusalem in a wedding dress, documented with a video camera. On 31 March her body was found in woods on the outskirts of Istanbul. In telling the young woman's story, which overwhelms her and inexorably draws her in, Leger recounts the different stages of her research and the writing of the book. She strikes upon something fundamental within Bacca's performance: the desire to remedy the unfathomable nature of violence and war. Ultimately, she must face up to the failure of the young woman's endeavour. As she surveys the terrain of performance art and continues her examination of portrayals of the female condition, as in her earlier books, Leger explores the existential mystery and harsh truths expressed in Bacca's work, and that of other performance artists. The White Dress closes what is now regarded as a trilogy that begins with Exposition and is followed by Suite for Barbara Loden.

A RALLYING CRY FOR THE WHOLE WORLD, BY ONE OF THE MOST RESPECTED LEADERS OF OUR TROUBLED TIMES. This eloquent, impassioned manifesto is possibly the most important message The Dalai Lama can give us about the future of our world. It's his rallying cry, full of solutions for our chaotic, aggressive, divided times: no less than a call for revolution. Are we ready to hear it? Are we ready to act?

"A powerful expose of Parisian haute couture" - Book of the Week, Times Higher Education Fashion is one of the most powerful industries in the world, accounting for 6% of global consumption and growing steadily. Since the 1980s and the birth of the neoliberal economy, it has emerged as the glittering face of capitalism, bringing together prestige, power and beauty and occupying a central place in media and consumer fantasies. Yet the fashion industry, which claims to offer highly desirable job opportunities, relies significantly on job instability, not just in outsourced garment production but at the very heart of its creative production of luxury. Based on an in-depth investigation involving stylists, models, designers, hairdressers, make-up artists, photographers and interns, anthropologist Giulia Mensitieri goes behind fashion's glamorous facade to explore the lived realities of working in the industry. This challenging book lays bare the working conditions of 'the most beautiful job in the world,' showing that exploitation isn't confined to sweatshops abroad or sexual harassment of models, but exists at the very heart of the powerful symbolic and economic centre of fashion.

The Golden Chain recalls a great Yiddish idea - die goldene keyt - the handing on of the enormous cultural wealth of Jewish tradition from generation to generation. This was the mission of the founding editor of The Jewish Quarterly, Jacob Sonntag, who, as he later recalled, felt called upon to add a link to the 'golden chain'. writing from around the world. It remains true to its founding ideals of cultural pluralism and open debate about the many issues of interest and concern to Jews in Britain and internationally. This volume brings together the finest writing to have been published in The Jewish Quarterly since it began. It focuses on central themes of London, community, vanished worlds, literature, Israel, and includes: poetry by Dannie Abse, Al Alvarez, Ruth Fainlight, Bernard Kops and Nelly Sachs; short stories by Sholom Aleichem, Bernice Rubens and Arnold Wesker; memoirs by Vera Elyashiv, Emmanuel Litvinoff, Frederic Raphael and Gabriel Josipovici; and essays by Aharon Appelfeld, Jonathan Freedland and Sonja Linden.

The Golden Chain recalls a great Yiddish idea - die goldene keyt - the handing on of the enormous cultural wealth of Jewish tradition from generation to generation. This was the mission of the founding editor of The Jewish Quarterly, Jacob Sonntag, who, as he later recalled, felt called upon to add a link to the 'golden chain'. writing from around the world. It remains true to its founding ideals of cultural pluralism and open debate about the many issues of interest and concern to Jews in Britain and internationally. This volume brings together the finest writing to have been published in The Jewish Quarterly since it began. It focuses on central themes of London, community, vanished worlds, literature, Israel, and includes: poetry by Dannie Abse, Al Alvarez, Ruth Fainlight, Bernard Kops and Nelly Sachs; short stories by Sholom Aleichem, Bernice Rubens and Arnold Wesker; memoirs by Vera Elyashiv, Emmanuel Litvinoff, Frederic Raphael and Gabriel Josipovici; and essays by Aharon Appelfeld, Jonathan Freedland and Sonja Linden.